Besides {being a|as being a|as a|like a} {a unique|a distinctive|an original|an exceptional} stylist on trumpet, it’s sister instrument flugelhorn {and big|and large|and massive} brother valve trombone, plus the flute {family of|group of|category of|class of} C and alto flutes, Gabriel Mark Hasselbach {is arguably|could well be|might just be|is possibly} {the foremost|the top} progenitor of electronic and digital wind instruments in Canada {if not|otherwise|or even|or else} {the US|the united states|the usa|america}, performing {on the|around the|about the|for the} Akai EVI 1000/2000 ({known as the|referred to as|called the|referred to as the} EVI or EWI (ee-wee) {as far back as|dating back to|dating back|way back to} 1985. {He also|Also, he|Younger crowd|Actually is well liked} {has a|includes a|features a|carries a} firm grasp on early and current competitor%u2019s brands, {from the|in the|from your|through the} early Casios and Yamaha Windjammer, WX 7 and WX 11. {The new|The brand new|The newest|The modern} {breed of|variety of|strain of|type of} wind instruments is USB based {and has|and it has|and possesses|and contains} evolved tremendously, but Gabriel has {such a|this type of|this kind of|a real} fluid touch and expressiveness {on the|around the|about the|for the} original EVI, {that it|it|which it|who's} remains his favorite non acoustic instrument. Remember, {an electronic|a digital|an electric|an electronic digital} wind instrument {is really|is actually|is absolutely|is basically} {just a|only a|merely a|simply a} synthesizer for horn players, {and can|and may|and will|which enable it to} trigger {a plethora of|an array of|various|numerous} sounds, but requires skill {and an|as well as an|plus an|with an} intuitive design {to be|to become|being|to get} {an effective|a highly effective|an efficient|a powerful} tool {in the hands of|at the disposal of|within reach of|to} {a player|a person|a new player|a gamer} {used to|accustomed to|utilized to|employed to} the nuance and {control of|charge of|power over|control over} {a real|a genuine|an actual|a true} wind instrument.
Breath, lip and pitch bending, vibrato, and range {all have|have the ability to} to {be taken into consideration|be considered}. For Gabriel, the EVI {is still the|remains the|remains to be the|continues to be} benchmark {for this|with this|because of this|just for this} idiom. Gabriel {is the|may be the|will be the|could be the} featured artist {at the|in the|on the|with the} boutique label, {and there|there|where there|high} {you will find|you'll find|you will discover|you can find} his complete catalog of physical and digital releases. Downloads {are also available|can also be found|are offered also|can be found} from outlets {such as|for example|including|like} CD,,, {and others|yet others|among others|while others}
flute, and digital winds. {He has|He's|He's got|She has} had substantial playlist and chart success {in the past|previously|before|during the past} {with his|together with his|along with his|regarding his} dozen albums, over seven Billboard top 20 charting tracks. Gabriel {is a|is really a|can be a|is often a} multiple JUNO award winner, {as well as the|along with the|plus the|and also the} {recipient of|person receiving|people receiving|parent receiving} Album {of The Year|of the season|of year|of this year} and Instrumentalist {of the Year|of the season|of year|of this year} awards {at the|in the|on the|with the} Canadian Smooth Jazz Awards, {and has|and it has|and possesses|and contains} received several gold and platinum record awards. {He is|He's|He could be|He or she is} also {adept at|skilled at|good at} mainstream jazz, and spent {two months|8 weeks|2 months|60 days} {on the|around the|about the|for the} Jazz Week charts, the definitive {guide to|help guide to|self-help guide to|help guide} straight-ahead jazz. However, {the field|the area|the sector|area of} {in which|by which|where|through which} Gabriel really blossoms is contemporary jazz, or {as it is|because it is|since it is|as it's} {often referred to|known|also known as|also called}, smooth jazz. Gabriel says {that there is|that there's|that there are|there's} {something that|something which|a thinging} reaches him the deepest {in that|for the reason that|because|in this} idiom, {because the|since the|as the|for the reason that} melodies are memorable, the rhythms are strong, {and the|and also the|as well as the|along with the} artist%u2019s expression through improvisation {is more|is much ore|is a lot more|is a bit more} {akin to|similar to|comparable to|quite like} rich permutations of { texture|texture and color} {rather than the|as opposed to the|instead of the|rather than} angular, mathematical, {and sometimes|and often|and quite often|and infrequently} abrasive timbre of %u2018modern jazz%u2019- {the hard|hard|the difficult|the tough} edged warriors who push the aural envelope. {The list|Their email list|This list|Their list} of artists that Gabriel has recorded or performed with read {like a|just like a|being a|as being a} Jazz and Pop who%u2019s who: Michael Bubl�, George Benson, Bob James, Brian Bromberg, Chuck Loeb, Jeremy Monteiro, Robben Ford, Jeff Lorber, Paul Brown, Marc Antoine, Miles Black, Rock Hendricks, Dave Koz, Spyro Gyra, 480 East, Nathan East, Harvey Mason, David Sanborn, Warren Hill, Darren Rahn, Alexander Zonjic, Heart, Long John Baldry, Little Richard, Ben E. King, Long John Baldry, Powder Blues, John Lee Hooker, Amanda Wood, Brian Simpson, and {a host of|a number of|numerous|quite a few} others.
Other stellar guests on Radio Gold include Jeff Lorber, Paul Brown, Warren Hill, Bob Baldwin, Greg Manning, Rob Tardik, Rock Hendricks, etc. Gabriel is a totally unique artist, creating an enticing and varied palette of textures and colors with his trumpet, flugelhorn, flute, valve ‘bone, digital wind instruments, and voice with erudite grace and lyricism. He has had nine Billboard hits and performs and/or records with well-known artists such as the late Chuck Loeb, Jeff Lorber, Paul Brown, Bob James, Bob Baldwin, Marc Antoine, Greg Manning, Darren Rahn, Warren Hill, Rob Tardik, Rock Hendricks, Tony Saunders, Bob Mintzer, Jeremy Monteiro, etc.
Gabriel Mark Hasselbach
Windtunnel Records presents the new release from
Besides a JUNO Award (Canadian equivalent of a Grammy), two JUNO/Technics ‘All Star Band’ Awards, a West Coast Music Award, a Jazz In The Park ‘Best Instrumental Performance’ Award, an Ampex Golden Reel Award, and several gold and platinum albums to his credit (with his earlier group Powder Blues and others), 2011 saw Gabriel win both ‘Album of the Year’ and ‘Instrumentalist of the Year’ awards at the Canadian Smoothies for ‘Told Ya So’. Gabriel was born and raised in Denver, Colorado, but lives and works out of Vancouver, Phoenix, and New Orleans. He has steadily built up a solid body of work, with over a dozen albums under his own name, and many more with other artists. He continues to develop his fanbase through live appearances, extensive radio and TV exposure, and the social media networking of his fans. He’s at home in small group or big band, and can tackle all styles of jazz.
Watch the new single from Radio Gold ‘Way After 8’
A dozen remastered albums now available
Award-winning hornmeister Gabriel Mark Hasselbach bets on a jazz trifecta with his recent 2018 album Gabriel is best known as a trumpeter, but is an enigma in the jazz world as he is not limited to one style of jazz, nor one instrument. On this project, he sets aside his contemporary jazz street cred and mines the classic jazz and New Orleans lexicon and gives it his own spin. He plays trumpet, flute, flugelhorn, valve 'bone, and even sings on one track. Here he has enlisted well known and longtime colleagues such as Ernie Watts, Cory Weeds, Miles Black, and Canada's answer to Gregory Porter, vocalist Mike Taylor, to craft a highly listenable record with hard-swinging Mainstream jazz sensibilities, succinct Contemporary jazz clarity, and rollicking New Orleans jazz panache. Gabriel debuted this album in New Orleans during Jazz Fest at some notable NOLA venues, such as The Mahogany Jazz Hall and New Orleans Jazz Museum, Trifecta accomplished! Although Gabriel has a baker's dozen critically acclaimed releases, he is best known for Contemporary jazz projects, which have garnered him nine Billboard hits so far. His two mainstream albums before this in his discography have made dents in the JazzWeek charts, and with MidCentury Modern, Vol 1 he has aimed for a Mainstream chart bullseye. The lead-off track Mississippi Jump, a remake of the Blue Mitchell classic, shimmies like a 'sidewinder'. As a bonus, it has also been remixed for Contemporary Radio and is included as a bonus track. As the Jazz Crusaders once said, "Put it where you want it"!
MidCentury Modern Vol. 1
He walks the fine line between contemporary jazz, classic jazz, and New Orleans idioms, incorporating all effortlessly into a smooth and seamless stage show, brimming with lyricism, color, and texture. His influences range from classic artists like Blue Mitchell, Freddie Hubbard, and Chet Baker, to contemporaries like Chris Botti, Til Bronner, and Rick Braun. Gabriel has performed at Montreux, North Sea, JVC, Chandler, and other festivals, and has performed privately for Presidents, Royalty, Bill Gates, and was featured at the Beijing Olympics, He also has performed on stage with megastars such as Michael Bublé, George Benson, John Denver, Little Richard, and Gino Vanelli,
Radio Gold
a deliciously funky 19 track retrospective that includes Gabriel’s Billboard hits, overlooked gems, plus the new single ‘Way After 8,’ feat. the iconic UK guitarist Ronny Jordan.